Author Archives: Andrew Kreider

early birds

 

early birds

it is morning now, at least
according to the schedule roughly
tacked behind the service desk

seven birds nesting in the half-lit
letters K and O peer down as if
measuring me for something

inside, they are changing the price
tags so that I can’t tell if I am coming
or going let alone count the cost

in the bakery I ask if they have
garlic bread yet and Ava who is old
enough to be my mother yells at me

that I should make it myself but I just grin
and yell back that the night shift are a bunch
of slackers and suddenly we are friends

the only cart I can find keeps shocking
me but the checkout girl just shrugs
and says yeah some of them do that

at five a.m. this store is a wilderness,
fluid and fierce and fresh, and how I
love to scratch among these early birds

 

a little word picture to share with friends over at the dVerse Poet’s Pub.

answers like socks – celebration sale

Andrew Kreider: Answers Like Socks

Time to party!  To celebrate the 200th post on this blog, I’m offering a special deal on the download of “answers like socks”.  If you go to CD Baby, you can get the whole album for only $2!
“answers like socks” is my favorite creative project of any I have worked on.  I designed it to run like a radio show, with words and music interspersed.  The recording is about 45 minutes long, broken into tracks like a regular album.  Lots of poetry, of course, plus four original songs and a bunch of interlude buttons.  What’s not to love?!

Check it out.  If you like it, let your friends know – this is an offer for anyone to enjoy.  Thanks for being there for me on this blog.  And here’s to the next 200 posts!

A vegetable fable

This summer, I’ve had the chance to do some “lightning poetry” on the streets of Elkhart.  During the July ArtWalk, I was given a strategic spot on Main Street, from which I would accost passers-by and ask if they had one minute to listen to a poem.  If they said yes, I gave them a choice: silly or serious, and would then select a poem for them from one of two folders, based on that preference.   It was amazing to see people’s reactions.  Some ignored me, or even told me to leave them alone – made me feel like a street evangelist, which I sort of was, I suppose.  But others were delighted to be approached and listened/responded with enthusiasm.  The highlight for me was the two burly biker dudes who asked for a serious poem and then engaged me in conversation about the meaning of life.  Priceless.

Anyway, the most popular poem of the day was a silly one that re-tells the Cinderella story using vegetables.  Here it is – imagine you’re on a street corner as I read it to you…

 

A vegetable-fable

Cinderella was a Brussels sprout
the kind of snack you only think about
occasionally, like when the cupboard’s bare
or Christmas guests appear from who-knows-where
and you are caught short-handed.

Her sisters were the prize zucchinis,
tightly stuffed in mink bikinis
tanning on the castle lawn
while Cinders worked till dusk from dawn
doing the jobs that she was handed.

But then Prince Charming, that great star fruit, paid a call
and planted the idea of a ball.
The bully-girls thought they’d be most appealing
They had no idea they’d be dealing
with their sister, who, to be candid,

was more delicious to the eye
than they. They were left alone to cry
like onions when she stole the prince and left a clue
at midnight – with a single crystal shoe
the heart-sore lover-boy was handed.

The story ends, as all good meals do,
With sweetness to top off this most romantic stew.
Our heroine delicious, ripe and pure
Outlasted both her sisters, rotten to the core
At least, that’s how I’m told this fruit-and-veggie fairy tale ended…

 

Video: Live at b on the River!

On Friday night, I had the privilege of sharing the stage with singer-songwriter Jonathan Reuel.  We did a combined poetry/music show to a full house at Elkhart’s b on the River.  Here’s a video clip of me performing three poems – note the very natty Penguin Poet t-shirt…

beginning

a poem about belonging

 

beginning

there were fifty revelers in the pool
gay and unfiltered bodies bobbing like
corks pressed down until the wine bubbles forth

and i didn’t know how to stop the pain
of their belonging watching how all these
fabulous souls were wrapped up together

waving like a coral reef and i waved
too one hand on my top button wishing
i had never come longing to jump in

 

No turning back

 

It can be a wonderful thing to belong in a group.  I know people who find great fulfilment in knowing every move to make, every word to say or avoid, every rhythm of “how we do things.”   The comfort of knowing there will be people there for you, come what may; and the knowledge that you will do the same for others – whether they ask for it or not.  The can be a comfort in conformity.

But then there are the others, the ones who struggle continually within the constraints of belonging.  The ones who live like icebergs, unwilling or unable to reveal their depths.  Or who give up and melt away.  I’ve seen it so often.  The longer I live, I find I am wistful for the belonging, for its goodness; but at the same time find I am increasingly drawn to the fringes, the rebels, the bright orange in a sea of black and blue.

 

No turning back

Someone in this sea of black and blue,
of downturned eyes, has a tattoo
on her shoulder blade – a butterfly
perhaps; better yet, a devil’s eye
that no one but her lover knows,
a secret that she never shows.

Someone in this modest fashion show
is wearing orange, brazen just below
her neckline, bursting with desire
not so much to shock as just to let the fire
within her have its head at last – finally
to be the blazing torch that she was born to be.

Someone in this close and holy space
is terrified, yet ready to depart this place
once and for all. Tonight,
after the benediction, no fight
no grand pronouncements, no bitter end.
Just a kiss, a plain embrace for every friend
and then no turning back – her fierce reward for
loosening the tight-tied strings her mother wore.

 

wounds

 

…for those struggling with the demons they hold close.

wounds

forgive her if
you feel excluded

her hands cradling
something awful, unnamed

she is terrified
of the innocence

that chose her
imagining the hurt

that would ravage
your beautiful life

if she relaxed
even one finger

 

The truth about Klondikes

 

My latest listener commentary for our local NPR station, WVPE.  True confessions of just where I draw the line on telling the truth to our children…

Click here to listen.

 

Spaghetti

My dad is one of the best writers I know.  He taught me about literary style and choice of words, persuaded me to read Orwell and sat with me as I hashed over early drafts of essays.  It was a labour of love, and no little patience, for him.  He’s my hero!   I hope a little of his example will spill over to the next generation as well.  I’m trying, anyway…

 

Spaghetti

We’re sitting in the kitchen,
pouring over his latest essay.
I jump up from time to time
to stir the spaghetti, then flop
back down again at the small table.
It’s like this, son, I say, sagely.
The English language may be
compared to a well-stocked pantry.

A lot of words hang out on the
lower shelves, or in big barrels.
These are the staples, your common
or garden prepositions, nouns,
proper names, infinitives,
the odd gerund. You gotta use these
just to get through the day, they
won’t do you much harm and
for the most part they are
pretty good for you.

But then look a little further and
the shelves get more interesting.
Some words are sweet, which can be
pleasant in moderation, but I’ll bet
you know people who overdo it and
end up breathlessly waving their
hands up and down and popping
the same bubble-gum over and over.
Maybe one of them is a cheerleader.

Some words are poison. The obvious
ones aren’t so bad, because you know
right away just from the look of them;
but others are slow-acting carcinogens.
Steer clear, OK? I don’t care how much
they tell you words can’t hurt. They can.

Then there are the exaggerations,
the steroids of our mother tongue, which
pump up one’s discourse to impossibly
inflated states, while also exposing
one to secret ridicule, to say nothing
of awkward back hair at some future date
(metaphorically speaking, of course).
Play it cool. Don’t overstate your case, OK?

Finally, there is the F-word. Keep this one
handy at all times, but use it with care.
It is the essence of anise – just one drop
will infuse an entire pot of sauce.
I glance over at the stove. It is the
perfect complement to so many
situations, and there are times
when it is the only word that will do.
Anyone who tells you otherwise
is either a liar, or too scared to live
a little. Trust me. Now get lost,
Hemmingway, I’ve got work to do.

The spaghetti sauce boils over.
He goes back to his desk, sifting through
the elements of style, leaving me
alone with my thoughts, and the anise.

 

small steps

I was a small child in the 1960s, when going to the moon went from being a dream to being a reality.  If you asked me where I was when they landed on the moon, I’d tell you I was in a friend’s kitchen, watching from the doorway in my pajamas!

 

small steps

everything was round
the corners of the fridge
the console radio
the bowl covering my head
the high stool with two steps
the smooth calves of my legs
swinging in time to the music
of the electric clippers
the pool of hair at my feet
the fresh pie waiting.

Upstairs I tried to sleep
but the moon called me
back to watch, eyes wide,
hardly comprehending
as the man with the moon-shaped
head stepped down
in black and white
on the tiny screen.